Nemesis comes with a huge and inspiring sound library, built by professional sound designers. Nemesis features pristine tonal quality and offers sonic possibilities far beyond the scope of conventional digital synthesizers. A uniquely silky signature sound is generated by its engine. The synthesizer is capable of providing warm, smooth, and creamy tones as well as the classic metallic and cold sounds FM synthesis is known for. Nemesis has a huge sonic range, since it is capable to do a massive number of digital synthesis-methods:
Many classic echo and delay tones are available, including Echoplex, Space Echo, Memory Man, and DM-2. In addition to these analog alternatives, Soundtoys designed some other gear that goes beyond stompboxes.
Tone 2 Nemesis Vst 26
The next feature is a limiter with an intelligent look-ahead that minimizes distortion to a minimum, only limited to the 0 to the 30-millisecond range.To bring things back to equalization, we have the parametric equalizer (also known as a tone control), which helps tailor the sound. Still, unlike standard equalizers, you can also change all three parameters (frequency, gain, and bandwidth) as well as the filter slope for each band.And lastly, Dither: a plug-in that has adjustable perceptual noise structuring that constantly bumbles.
Spire is a polyphonic synthesizer created by Reveal Sound. The unique thing about it is that it has polyphonic synth algorithms, which can play several notes or tones at once. It is different from monophonic synthesizers, which are capable of only playing one note at a time.Creating a hybrid has never been easier. Four multimode polymorphing oscillators are featured: Classic, Noise, FM, and AM Sync.If you need to load one oscillator with up to nine unison voices, each voice controls how much the voices are split out in chords and octaves. One voice may be a clone of other kinds of unison, such as hyper saw and supersaw, among other unison types.This VST plugin includes built-in Fx processing with a spire-shaped phaser, vowel, chorus, flanger, delay, and reverb.
Every one of the 70 Hydrasynth patches makes heavy use of the modulation matrix resulting in a total of over 3300 modulation routings. In combination with the macro controllers, you get immediate access to several parameters at once. Therefore, you can easily reshape the character of a tone completely in no time, e.g. morph a lead sound into a pad.
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